In Syncing, Rachel Owens continues her series of works inspired by Augusto Boal, presenting a new video installation using the techniques of the “Theater of the Oppressed.” Actors from her own community's theater group in Red Hook Brooklyn perform together in a movement exercise called Emily's Morph attempting to achieve “unity” without traditional communication (including speech and direct eye contact). The diverse group which is reflective of the larger community move forward together struggling to reach consensus. Projected inside a small room which is sinking into the floor half of its sheetrock is cut away recalling the recent storm that not only ravaged Red Hook, but also the gallery itself. Carved wooden branches jut from the exposed 2x4s as if nature is also attempting to sync with the performers and their environment.
Online version of video Synching:
In Syncing Owens continues her series of works inspired by Augusto Boal, presenting a new video installation using the techniques of the "Theater of the Oppressed." Actors from her own community's theater group in Red Hook Brooklyn perform together in a movement exercise called Emily's Morph attempting to achieve "unity" without traditional communication (including speech and direct eye contact). The diverse group which is reflective of the larger community move forward together struggling to reach consensus. Shot in Red Hook around the neighborhood Ikea (one of the few buildings that didn't flood), the water is always in the background.